With just over a week away to a double bank holiday Jubilee weekend and the supermarkets are filling to bursting point with bunting, flags and assorted patriotic items. A quick glance though confirmed my suspicions, all of them have been made outside the UK, shame. As you can see we are joining in with the celebrations by getting out the union jack cushions for a nice splash of colour , the plan is to decorate Bunnyopolis too, not quite sure what the occupants will make of it though.
Still, any excuse to put up bunting, wave a flag and have a good nosh up is fine by me and this weather at the moment is also an added bonus. Yesterday I decamped to the garden and the studio followed me for a spot of painting outdoors. Better light, a nice warm breeze and three bunnies lolling around on the lawn made for a nice day, if only all days were like this during the summer.
Halfway through yesterday though Aaran was decidedly too hot and decamped to a bit of shade underneath their new 'naughty step', looks grumpy doesn't he?
The blog has been neglected again for a day or so because I am so busy, plenty of writing and background work to do at the moment working around the tour has meant it's been at the end of my priorities for a while until I catch up with my backlog.
A couple of things have sparked my interest recently though, none as much as the weird announcement that the Queens knickers were on eBay for sale. I know times are hard...
Listed as an “item that has been previously used” does not place it in good light, it gets worse when it goes on to describe 'some yellowing with age'. :( Still it does cheerfully goes on to describe it as a “once in a lifetime opportunity to acquire and own a piece of collectable Royal memorabilia.” For those that are still reading and not gagging at this stage the 'soiled' item in question eventually went for £11,390 to an unknown bidder. The mind boggles on what use they will put them too, I wonder if it's the same bidder that bought Queen Victoria's knickers in an earlier auction?
Can you really believe I have just blogged about the Queens knickers?
Thursday, May 24, 2012
Tuesday, May 22, 2012
Hot Yellow Globe
Looks like a little bit of Summer has surprised the UK with a sudden appearance overnight. Its a bit of a shock after weeks and weeks of greyness, coldness and dampness but the plants are loving it with many shooting up as fast as possible.
Bunnyopolis has gone on snooze mode with all the buns deciding to sleep through the heat, no doubt they will be up and at it later today. No, wait, here comes one right now. A few steps out, a sniff of the breeze and a trot up the garden only to be followed by Jura and Aaran.
I wonder what new word would describe today? Shinetabulous is not bad, how about Suntastic? No? Well then I shall call today Sunnylicious.
Bunnyopolis has gone on snooze mode with all the buns deciding to sleep through the heat, no doubt they will be up and at it later today. No, wait, here comes one right now. A few steps out, a sniff of the breeze and a trot up the garden only to be followed by Jura and Aaran.
I wonder what new word would describe today? Shinetabulous is not bad, how about Suntastic? No? Well then I shall call today Sunnylicious.
Monday, May 21, 2012
Bits
The studio has been a mass of models recently, some of which have been quite ambitious and involved plenty of plasticine and time to get right. This is all that remains of a scene that involved a quaint English garden complete with stone terrace and of course a Lost Impossimal.
The Squirly Tailed Pendulum Panda though required the aid of a Tesco's wine carrier which doubled up as the inside of a casement clock. The pendulum is a pipe cleaner suspending a plasticine weight and in the background of the clock, just behind the panda, is a set of modelled cogs and gears. Again, this was used to give accurate lighting and depth.
This though, the Giganticus Titanicus Atlanticus was a monster to make. It used oodles of modelling material encasing a foil body, each tooth was cut individually and the whole body twisted to give movement. It was placed in an inky black sea, basically an oven tray filled to the brim with coloured water, and icebergs and ice cubes were cut out of the clay. The ship bottom left was supported and allowed to float with the aid of a weighted cocktail stick for support. It was about 18'' long when finished, detail was added with a felt tip pen.
My Abracacooper needed to look quite mystical so digging out a desert photo I place this behind so I had at least a backdrop to work with. Cushions, a fez and a miniature backgammon set was added to the muscled figure and a small cartouche on the left it taken from the notes of Howard Carter and of course Tutankhamun.
This though, the Giganticus Titanicus Atlanticus was a monster to make. It used oodles of modelling material encasing a foil body, each tooth was cut individually and the whole body twisted to give movement. It was placed in an inky black sea, basically an oven tray filled to the brim with coloured water, and icebergs and ice cubes were cut out of the clay. The ship bottom left was supported and allowed to float with the aid of a weighted cocktail stick for support. It was about 18'' long when finished, detail was added with a felt tip pen.
My Abracacooper needed to look quite mystical so digging out a desert photo I place this behind so I had at least a backdrop to work with. Cushions, a fez and a miniature backgammon set was added to the muscled figure and a small cartouche on the left it taken from the notes of Howard Carter and of course Tutankhamun.
Saturday, May 19, 2012
Hu-huh
See, you too can be as popular as Barry, just take one LP, for those of you that are not familiar with LP's they are as big as EP's and not as small as singles.
Strike a pose, let your body move to the music and vogue. Instant celeb stylee, don't you look fabuloso dahlink!
Don't get too carried away though, look what happened to me when I used one of these, hu-huh, downer baby, downer.
Also make sure you use an appropriate celeb, not so coolio now are we daddy-o, like the shorts man they look rinky-dinky-do.
You can use props to enhance your cool, just drop the gender bender, nobody likes a cross cat I thank you.
My final piece of advice is use something real, cartoons are cool but to pick up chicks, not so, take a tip from the L-vis man, swing your hips, buy some big shades, get a few sideburns and say hu-huh at least fifty times a day. once you start buying outlandish day glow all in one adult romper suits and start wearing at least five gold rings yours there baby, you are so there your jailhouse will be rocking all night.
I thank you and goodnight.
L-vis has left the building.
Thursday, May 17, 2012
The Piano Playing Arthritic Dinosaur Fawn
There has been some pretty weird stuff in the news recently. I'm not talking about all the doom and gloom that is dished out to us on a all too regular basis either as I'm sure that everyone has had enough of that, I'm on about stuff like this, real news, a squirrel playing a piano? Now you're talking!
Sammy it seems can bash out a few notes, admittedly not in the same order every time but he may make Britain's Got Talent yet. Imagine this, Sammy on the piano and a dancing dog, wow, what an act! I'd buy that for a dollar!
I had to reread this several times before I realised it had no bearing on the article. I was expecting half naked fruity text to spice up this article on Olympic security, instead I was severely disappointed that there was no titbits of scant titillation, no naked inserts and definitely no rampant scintillating hot gossip to be had. What I did find out is that many who turned up for the day didn't expect rain and thus wore 'insufficient clothing'. Gutted.
Said Mr T-Rex Stalisaurus from the Jurassic Period. 'My arms are always killing me, it's bad enough I can't hug anything never mind the pain'. Our reporter Ne Anderthal revealed this dramatic revelation before being clubbed by his neighbour and thrown out of his two up two down cave after not paying his pebble tax.
A perigee moon, such as the one we had recently, is a wonderful thing and I thank this article for helping me to sleep at night as scientists confirm that a full moon does not cause werewolfs. I thank you Mr Scientists, now could you turn you attention to other pressing matters like sparkly vampires and Godzilla as I'm sure finding out the truth about these will also help me sleep at night.
Sammy it seems can bash out a few notes, admittedly not in the same order every time but he may make Britain's Got Talent yet. Imagine this, Sammy on the piano and a dancing dog, wow, what an act! I'd buy that for a dollar!
Some headlines do seem to defy logic though, this article was along the lines of if a tree falls in a wood and nobody sees it does it make a sound. Basically if you are caught short in public and nobody knows or indeed sees is it still unacceptable? I have no answer for that as I always make sure I wear my Supersoaker-triple thickness-elasticlegged-caughtshortagain-ohno underwear, works every time. Apart from the sloshing noise.
No here's a surprise, fawns being chased have an escape plan. i.e. run like hell. Wonder how much this particular study cost? You will probably find the same discussion in any pub after heavy drinking. Escape cover or nearest refuge, pretty much what you decide at closing time.I had to reread this several times before I realised it had no bearing on the article. I was expecting half naked fruity text to spice up this article on Olympic security, instead I was severely disappointed that there was no titbits of scant titillation, no naked inserts and definitely no rampant scintillating hot gossip to be had. What I did find out is that many who turned up for the day didn't expect rain and thus wore 'insufficient clothing'. Gutted.
Said Mr T-Rex Stalisaurus from the Jurassic Period. 'My arms are always killing me, it's bad enough I can't hug anything never mind the pain'. Our reporter Ne Anderthal revealed this dramatic revelation before being clubbed by his neighbour and thrown out of his two up two down cave after not paying his pebble tax.
A perigee moon, such as the one we had recently, is a wonderful thing and I thank this article for helping me to sleep at night as scientists confirm that a full moon does not cause werewolfs. I thank you Mr Scientists, now could you turn you attention to other pressing matters like sparkly vampires and Godzilla as I'm sure finding out the truth about these will also help me sleep at night.
Wednesday, May 16, 2012
Jab
I don't think the residents of Bunnyopolis, Aaran, Iona and Jura will be too pleased a little later today for their daily routine will be broken by a visit to the vets. Yes, it's inoculation time to make sure they are well protected from VHD and Myxomatosis over the next twelve months. We have a specially built crate to move them in, after all 80lbs of rabbit takes some shifting.
So later this morning expect some grumpiness as they are briefly taken away from the confines of the newly decorated Bunnyopolis complete with hanging baskets and made to travel in reasonable comfort in this.
Which will of course have blankets, food etc and everything else for them to ignore on the short journey whilst they plot their revenge, which rabbit style means I will ignore you and if you get in my way I will give you a little nip to show you who really is in charge.
Well, they are back after emitting a few Grumpit faces and they did rather well, they are still a bit moody but give them a couple of hours and they will be fine. I wonder when it would be best to tell them we do it all again in two weeks time?
We did get a chance to weight them as a group, it totalled 69lbs, less than our estimate but its still an impressive 23lbs each no wonder our arms ache lumbering them into the car.
So later this morning expect some grumpiness as they are briefly taken away from the confines of the newly decorated Bunnyopolis complete with hanging baskets and made to travel in reasonable comfort in this.
Which will of course have blankets, food etc and everything else for them to ignore on the short journey whilst they plot their revenge, which rabbit style means I will ignore you and if you get in my way I will give you a little nip to show you who really is in charge.
Well, they are back after emitting a few Grumpit faces and they did rather well, they are still a bit moody but give them a couple of hours and they will be fine. I wonder when it would be best to tell them we do it all again in two weeks time?
We did get a chance to weight them as a group, it totalled 69lbs, less than our estimate but its still an impressive 23lbs each no wonder our arms ache lumbering them into the car.
Tuesday, May 15, 2012
Through The Round Window
Guess which one will it be today children. The arch window? Or will it be the square window? Maybe the round window?
Readers of a certain age will remember this from the popular children's program Play School, immediately you will be now thinking of Big & Little Ted, Humpty, Jemima and the rather peculiar and strangely spooky Hamble accompanied by many various presenters including Brian Cant, Floella Benjamin, Derek Griffiths, Toni Arthur and of course Johnny Ball. What prompted today's entry was reading how the BBC had junked many 2 inch Quadruplex videotape master copies of this program in the assumption that they were no longer of use and the few remaining episodes was sufficient to retain. I can't help feeling that by doing this we are chucking away more than just a roll of TV sentimentality, we have irretrievably chucked away a way of life that will never return.
Now one can say that I'm looking through rose tinted glasses at the past and really the programs were awful products made by adults to give kids what adults thought they wanted. In reality it was actually a burgeoning time for children's TV, production costs were limited and most programming although produced on a shoe string budget were fashioned with great skill, consideration and above all a passion. None more so than programs created by Peter Firmin and Oliver Postgate who even today are remembered for Bagpuss, The Clangers and Ivor The Engine and probably summed it up in an interview I read many years ago about what made making all these programs worth it. In his reply he talked about a letter he received from a girl, now an adult, who thanked him for Bagpuss with it's gentle nature and make believe world as it had been her only escape from child abuse for fifteen minutes each week.
The destruction of Play School marks a watershed of changing attitudes to the way children's television has evolved, gradually we have moved away from the gentle nurturing of childhood and promotion of certain values and into a more, should I say, aggressive style of nurturing. Gone is the 'Watch with Mother', a special time set aside on television for mother and child to share, gone also is real after school children's programming, even the stalwart Blue Peter has had a dramatic makeover to appeal to hip children. The TV schedule today has no special format to allow a more progressive children's programming and the multitude of 24 hour children's channels nullifies any special aspect of a program.
Not a criticism just an observation, time as they say moves on, society cannot live in the past but sometimes the greatest things are gone before we have a chance to save them. Wasn't it more beautiful when you believed in everything?
So for the sake of preservation here are a few of my special programs that helped me through my childhood. First the unlikely Mary, Mungo and Midge, a girl, a dog and a mouse all living in a perfect block of flats that requires a mouse touch to operate the complex lift button. It's quirky home location was one of the first programs to place a character in an urban setting to reflect it's viewing audience. It always started and finished the same giving a sense of familiarity with a small adventure taking place in between.
Bagpuss needs no introduction, repeated regularly since it's release in 1974 it remains firmly at the top of the greatest children's programs ever made. Bagpuss wakes to find a lost often broken object, throws in some tall tales and a few facts to help restore the object then places it back in the window for it to be found. He then sleeps. Simple. It was Bagpuss that first made me realise that imagination is unboundless, from simple objects great delight can be sought, it also fired my passion for creative writing and a love of stripes.
Making use of things you find. The Wombles lived on Wimbledon Common in secret from humans making use of all the discarded house hold items we disposed of. Orinoco, Tobermory, Great Uncle Bulgaria and Tomsk became household names in the mid 70's and even spawned a real band that went on to narrowly miss the number one slot for Christmas in 1974 with Wombling Merry Christmas peaking at number 2. At least we saw them on Top Of The Pops on Christmas Day.
Another set of characters that need no introduction, The Clangers burst onto our screen with a sense of surreal in 1969 and remained firmly lodged in my head. With a peculiar whistling sound they experienced adventures beyond imagination, musical trees, iron chickens and plastic creating machines that cannot be turned off are just a few examples, couple this with a Soup Dragon and assorted Froglets and you have a perfect springboard for perfection.
The Herbs on the other hand is remembered for something completely different, it was the first program I saw in colour as a child. I was awestruck. A new television was delivered and as it warmed up, yes, you really did have to wait for it to warm up, a yellow faced, green mane talking lion lit up the screen. The sophisticated writing style and narrative delivery often went over the heads of children watching but it's hypnotic quality worked on so many levels.
For pure surrealism though you can't beat Mr Benn. Imagine pitching this idea to a television company today. 'Well, basically it's about a civil servant who likes to dress up in weird clothes, he has an arrangement that allows him to indulge his fantasy with a fez wearing local fancy dress shop owner. He strips down to his smalls, dresses in his fantasy attire and opens a mysterious door into a world where he can act it out with like minded individuals'
On paper it shouldn't work on television though under the creative guidance of David McKee it became a gentle classic.
So far we have looked at animation but programs of this era went even to even simpler yet still charming with programs such as Fingerbobs. The inventiveness placed numerous objects in front of Fingermouse and his friends who throughout the ten minute program created a new use for them. Simple but effective all delivered by Yoffy, a live actor who didn't hide the fact that Fingermouse and his friends were indeed puppets. The magic came from the interaction and clever use of objects, Yoffy talked to all his 'finger' creations. The theme tune lyrics probably explain the whole thing.
"Yoffy lifts a finger, and a mouse is there / Puts his hands together, and a seagull takes the air / Yoffy lifts a finger, and a scampi darts about / Yoffy bends another, and a tortoise head peeps out / These hands were made for making, and making they must do."
Hidden away in the listings and often after Pebble Mill at one was The Flumps. Small balls of wool filmed in a stop motion way. Father Flump was an inventor, Grandfather Flump played a Flumpet and Pootle guided us through the Flumpet world. Cute, cuddly, innocent with a very real familiarity for the viewer.
The eBay of the 70's this 1976 launched program allowed children not only to swap unwanted toys and gifts but also communicate directly with the program they were watching. For a children's TV show this level of interactivity was truly ground breaking. Unfortunately it was also one of the first programs that started to hype up children with celebrities, cartoons and other road show appearances to bring the ultimate in interactivity to it's viewers. It has it's place and influenced me greatly with it's genuine skilful approach to Saturday morning television but this was to me more of a turning point and by the time Swap Shop aired it's last ever episode in 1982 the gentler approach was already on it's way out.
Still going strong though from it's 1972 launch on ITV was Rainbow, an innovative format that delivered songs, stories and strong ties between the characters. Over a 1000 episodes were produced in total, Zippy, Bungle and George were very British about everything and retained a naivety to anything and everything, Zippy was the hyperactive child whilst George was the quiet shy type and as most children could relate to one or the other it worked perfectly.
Chigley, Trumpton and Camberwick Green, gentle tales set in the fictional Trumptonshire delivered with the unmistakeable voice of Brian Cant. It's probably one of the only children programs that covered most jobs of it's day. Not only do we have a postman , firemen and builders but also characters that seem so out of place today, a miller, milkman and chimney sweep. Even the description for the resident artist, who incidentally has no name, is classed as an un-named transient is quite naive and probably apt all at the same time. Set in a real world they existed and worked as one unit, problems were solved together and even though there were policemen and firemen there was never anything other than mild peril. Trumptonshire was a place that children of the time imagined that they were growing in to.
When it's gone, it's gone. Losing these programs and memories would be such a mistake. The creators of these programs believed with an unbridled passion in what they were doing and in turn created something very special for most people, a childhood.
Readers of a certain age will remember this from the popular children's program Play School, immediately you will be now thinking of Big & Little Ted, Humpty, Jemima and the rather peculiar and strangely spooky Hamble accompanied by many various presenters including Brian Cant, Floella Benjamin, Derek Griffiths, Toni Arthur and of course Johnny Ball. What prompted today's entry was reading how the BBC had junked many 2 inch Quadruplex videotape master copies of this program in the assumption that they were no longer of use and the few remaining episodes was sufficient to retain. I can't help feeling that by doing this we are chucking away more than just a roll of TV sentimentality, we have irretrievably chucked away a way of life that will never return.
Now one can say that I'm looking through rose tinted glasses at the past and really the programs were awful products made by adults to give kids what adults thought they wanted. In reality it was actually a burgeoning time for children's TV, production costs were limited and most programming although produced on a shoe string budget were fashioned with great skill, consideration and above all a passion. None more so than programs created by Peter Firmin and Oliver Postgate who even today are remembered for Bagpuss, The Clangers and Ivor The Engine and probably summed it up in an interview I read many years ago about what made making all these programs worth it. In his reply he talked about a letter he received from a girl, now an adult, who thanked him for Bagpuss with it's gentle nature and make believe world as it had been her only escape from child abuse for fifteen minutes each week.
The destruction of Play School marks a watershed of changing attitudes to the way children's television has evolved, gradually we have moved away from the gentle nurturing of childhood and promotion of certain values and into a more, should I say, aggressive style of nurturing. Gone is the 'Watch with Mother', a special time set aside on television for mother and child to share, gone also is real after school children's programming, even the stalwart Blue Peter has had a dramatic makeover to appeal to hip children. The TV schedule today has no special format to allow a more progressive children's programming and the multitude of 24 hour children's channels nullifies any special aspect of a program.
Not a criticism just an observation, time as they say moves on, society cannot live in the past but sometimes the greatest things are gone before we have a chance to save them. Wasn't it more beautiful when you believed in everything?
So for the sake of preservation here are a few of my special programs that helped me through my childhood. First the unlikely Mary, Mungo and Midge, a girl, a dog and a mouse all living in a perfect block of flats that requires a mouse touch to operate the complex lift button. It's quirky home location was one of the first programs to place a character in an urban setting to reflect it's viewing audience. It always started and finished the same giving a sense of familiarity with a small adventure taking place in between.
Bagpuss needs no introduction, repeated regularly since it's release in 1974 it remains firmly at the top of the greatest children's programs ever made. Bagpuss wakes to find a lost often broken object, throws in some tall tales and a few facts to help restore the object then places it back in the window for it to be found. He then sleeps. Simple. It was Bagpuss that first made me realise that imagination is unboundless, from simple objects great delight can be sought, it also fired my passion for creative writing and a love of stripes.
Making use of things you find. The Wombles lived on Wimbledon Common in secret from humans making use of all the discarded house hold items we disposed of. Orinoco, Tobermory, Great Uncle Bulgaria and Tomsk became household names in the mid 70's and even spawned a real band that went on to narrowly miss the number one slot for Christmas in 1974 with Wombling Merry Christmas peaking at number 2. At least we saw them on Top Of The Pops on Christmas Day.
Another set of characters that need no introduction, The Clangers burst onto our screen with a sense of surreal in 1969 and remained firmly lodged in my head. With a peculiar whistling sound they experienced adventures beyond imagination, musical trees, iron chickens and plastic creating machines that cannot be turned off are just a few examples, couple this with a Soup Dragon and assorted Froglets and you have a perfect springboard for perfection.
The Herbs on the other hand is remembered for something completely different, it was the first program I saw in colour as a child. I was awestruck. A new television was delivered and as it warmed up, yes, you really did have to wait for it to warm up, a yellow faced, green mane talking lion lit up the screen. The sophisticated writing style and narrative delivery often went over the heads of children watching but it's hypnotic quality worked on so many levels.
For pure surrealism though you can't beat Mr Benn. Imagine pitching this idea to a television company today. 'Well, basically it's about a civil servant who likes to dress up in weird clothes, he has an arrangement that allows him to indulge his fantasy with a fez wearing local fancy dress shop owner. He strips down to his smalls, dresses in his fantasy attire and opens a mysterious door into a world where he can act it out with like minded individuals'
On paper it shouldn't work on television though under the creative guidance of David McKee it became a gentle classic.
So far we have looked at animation but programs of this era went even to even simpler yet still charming with programs such as Fingerbobs. The inventiveness placed numerous objects in front of Fingermouse and his friends who throughout the ten minute program created a new use for them. Simple but effective all delivered by Yoffy, a live actor who didn't hide the fact that Fingermouse and his friends were indeed puppets. The magic came from the interaction and clever use of objects, Yoffy talked to all his 'finger' creations. The theme tune lyrics probably explain the whole thing.
"Yoffy lifts a finger, and a mouse is there / Puts his hands together, and a seagull takes the air / Yoffy lifts a finger, and a scampi darts about / Yoffy bends another, and a tortoise head peeps out / These hands were made for making, and making they must do."
Hidden away in the listings and often after Pebble Mill at one was The Flumps. Small balls of wool filmed in a stop motion way. Father Flump was an inventor, Grandfather Flump played a Flumpet and Pootle guided us through the Flumpet world. Cute, cuddly, innocent with a very real familiarity for the viewer.
The eBay of the 70's this 1976 launched program allowed children not only to swap unwanted toys and gifts but also communicate directly with the program they were watching. For a children's TV show this level of interactivity was truly ground breaking. Unfortunately it was also one of the first programs that started to hype up children with celebrities, cartoons and other road show appearances to bring the ultimate in interactivity to it's viewers. It has it's place and influenced me greatly with it's genuine skilful approach to Saturday morning television but this was to me more of a turning point and by the time Swap Shop aired it's last ever episode in 1982 the gentler approach was already on it's way out.
Still going strong though from it's 1972 launch on ITV was Rainbow, an innovative format that delivered songs, stories and strong ties between the characters. Over a 1000 episodes were produced in total, Zippy, Bungle and George were very British about everything and retained a naivety to anything and everything, Zippy was the hyperactive child whilst George was the quiet shy type and as most children could relate to one or the other it worked perfectly.
Chigley, Trumpton and Camberwick Green, gentle tales set in the fictional Trumptonshire delivered with the unmistakeable voice of Brian Cant. It's probably one of the only children programs that covered most jobs of it's day. Not only do we have a postman , firemen and builders but also characters that seem so out of place today, a miller, milkman and chimney sweep. Even the description for the resident artist, who incidentally has no name, is classed as an un-named transient is quite naive and probably apt all at the same time. Set in a real world they existed and worked as one unit, problems were solved together and even though there were policemen and firemen there was never anything other than mild peril. Trumptonshire was a place that children of the time imagined that they were growing in to.
When it's gone, it's gone. Losing these programs and memories would be such a mistake. The creators of these programs believed with an unbridled passion in what they were doing and in turn created something very special for most people, a childhood.
Sunday, May 13, 2012
Skegvegas
Call it Skeg, Skeggy or Skegvegas, Skegness is Skegness the Blackpool of the east coast, witness to recent misfortune during 2007-08 when it lost three of it's seafront attractions to fires it was the original home of the first ever Butlins in 1936 and still is to this day one of Butlins most popular holiday camps.
But Skegness has always had difficulty shaking it's reputation of being the holiday destination of the working people of the industrial midlands who came in their droves before the package holiday and the promise of cheap sun as opposed to soggy sand filled egg sandwiches hiding behind a windbreak on a deserted beach. It was easy to see why it drew them away in the 80's and 90's to warmer and in some ways cheaper climes. Skegness was hit hard and I preferred to keep my happy memories of holidays there just that, memories, rather than have it spoiled by seeing the Skegness I remembered bought to it's knees through poor development, lack of holidaymakers and tat.
So pulling into the deserted north end car park on Friday I wondered what I would find. Well, after a short stroll todays Skegness began to unfold. Yes there is the arcades and shops selling dubious tourist tat but that is only to be expected, just under the fake glitz is a real seaside town. I would even go as far as to say an iconic seaside town and it looks like many agree. In 2005 it was voted the best retirement place in the UK, even the Lonely Planet guide lists it as 'everything you could want' in a seaside resort.
The main thing for me is the strong hold it still has on the past. It's iconic public funded Diamond Jubilee clock tower from 1899 is still there and still chiming, a warming sight to see, standing proud at the end of Lumley Road.
Natureland Seal Sanctuary opened it's doors in 1965, a popular Skegness destination that attracts 1000's of visitors each year with it's seal conservation program saving washed up baby seals and returning them to the sea. Inside you will find not only the seals but penguins, aquariums and the unusual butterfly garden, a walk through experience allowing a multitude of dramatically coloured butterflies to fly around you unhindered. I had visited it many a time during my childhood but today for some reason it all seemed so magical again. The seals waved 'hello' the goats were gruff, snatching your paper bag of food with abandon and the tropical house seemed so inviting. I was charmed again instantly.
Just behind the main seafront road is this, a perfectly manicured park with a multitude of again perfect bowling greens. Even as I passed civic pride was in evidence with the assorted chalets in this picture receiving a nice new lick of paint ready for the new season. Not a sign of any litter too, very impressive and certainly not what I would have expected. I sat for a while to take it all in and read a review of Skegness from ten years ago, "Tasteless, tacky and tawdry!" it exclaimed, well I would like to amend that from my vantage position to "Tasteful, genteel and trim" and yes, I never thought I would say those words about Skegness either.
I remember with more than a little bit of venom hating the poor crazy golf that Skegness offered, it used to be so poor and one of the low lights of any holiday. Hitting a small ball through such 'craziness' as a windmill and angled corners over a damp and strangely smelling green plastic coating acting as grass. My hatred hit a peak when after a particularly gruelling session in the rain I hit the final ball with relief on the last hole only to hit the special bell, a bell that signified I had won a prize, another free round. Never have I hit a ball so hard and fast in such a public arena, it's a wonder I didn't take some other small child out.
Anyway, look at it now! It's gone and gone all piratey full of swashbuckling bridges for mock fights with the clubs, semi real grass and imaginatively created holes. I was sold, five minutes later I was back swinging my club so to speak. I would throughly recommend it, doubly so if drunk.
My trip to Skegness wouldn't be complete without a visit here. Looks like a picture from a different place doesn't it? It's actually on the edge of Skegness in a southerly direction, it's called Gibraltar Point but feels a lot like Norfolk. indeed, get to the point and look roughly south and across the wash you will indeed see Norfolk fourteen miles away. You also pass some impressive houses on the way here too further signifying that Skegness is anything but tacky. So a delightful day in a very surprisingly litter free seaside town, admittedly I couldn't spend a week here but then again I don't have children so entertainment for a couple in their mid forties is a little limiting unless of course you have a crushing desire to pick up a dabber and bingo yourself to death.
That probably sounded wrong didn't it but make of it what you will.
No trip to the seaside would be complete without a bit of sea fare though. This repast advertised cockles, whelks, prawns and lobster tails, or in Skegness speak cockles from a jar, a crab stick that had only just whafted past anything fishy and a mock lobster tail made out of moulded crab stick, even the whelks tasted like rubber.
Oh, Skegness you little rascal you just can't stop it can you?
But Skegness has always had difficulty shaking it's reputation of being the holiday destination of the working people of the industrial midlands who came in their droves before the package holiday and the promise of cheap sun as opposed to soggy sand filled egg sandwiches hiding behind a windbreak on a deserted beach. It was easy to see why it drew them away in the 80's and 90's to warmer and in some ways cheaper climes. Skegness was hit hard and I preferred to keep my happy memories of holidays there just that, memories, rather than have it spoiled by seeing the Skegness I remembered bought to it's knees through poor development, lack of holidaymakers and tat.
So pulling into the deserted north end car park on Friday I wondered what I would find. Well, after a short stroll todays Skegness began to unfold. Yes there is the arcades and shops selling dubious tourist tat but that is only to be expected, just under the fake glitz is a real seaside town. I would even go as far as to say an iconic seaside town and it looks like many agree. In 2005 it was voted the best retirement place in the UK, even the Lonely Planet guide lists it as 'everything you could want' in a seaside resort.
The main thing for me is the strong hold it still has on the past. It's iconic public funded Diamond Jubilee clock tower from 1899 is still there and still chiming, a warming sight to see, standing proud at the end of Lumley Road.
Natureland Seal Sanctuary opened it's doors in 1965, a popular Skegness destination that attracts 1000's of visitors each year with it's seal conservation program saving washed up baby seals and returning them to the sea. Inside you will find not only the seals but penguins, aquariums and the unusual butterfly garden, a walk through experience allowing a multitude of dramatically coloured butterflies to fly around you unhindered. I had visited it many a time during my childhood but today for some reason it all seemed so magical again. The seals waved 'hello' the goats were gruff, snatching your paper bag of food with abandon and the tropical house seemed so inviting. I was charmed again instantly.
Just behind the main seafront road is this, a perfectly manicured park with a multitude of again perfect bowling greens. Even as I passed civic pride was in evidence with the assorted chalets in this picture receiving a nice new lick of paint ready for the new season. Not a sign of any litter too, very impressive and certainly not what I would have expected. I sat for a while to take it all in and read a review of Skegness from ten years ago, "Tasteless, tacky and tawdry!" it exclaimed, well I would like to amend that from my vantage position to "Tasteful, genteel and trim" and yes, I never thought I would say those words about Skegness either.
One unusual attraction and unfortunately not working when I visited was the small ferry boat ride. It's just a little winding canal that transports you a few minutes up the seafront and back again in little boats. The thrill of this was immense in the 70's, imagine taking a real boat to travel 1/10 of a mile, how decadent! As you can imagine, thrills in the 70's came cheaply. Pity, I would have loved it even more today.The beach retains its blue flag status for 2011/12 and with new sea defences it looks like it will stay that way too. I was impressed, again no litter and in places freshly raked too. Whilst the view is not exactly stunning with the wind farms dotted on the horizon I can still agree with the sentiment "Skegness is so bracing", the wind from the north sea is just that and adds a fine freshness to a stroll along it. Perfect for blowing away all those cobwebs.
I remember with more than a little bit of venom hating the poor crazy golf that Skegness offered, it used to be so poor and one of the low lights of any holiday. Hitting a small ball through such 'craziness' as a windmill and angled corners over a damp and strangely smelling green plastic coating acting as grass. My hatred hit a peak when after a particularly gruelling session in the rain I hit the final ball with relief on the last hole only to hit the special bell, a bell that signified I had won a prize, another free round. Never have I hit a ball so hard and fast in such a public arena, it's a wonder I didn't take some other small child out.
Anyway, look at it now! It's gone and gone all piratey full of swashbuckling bridges for mock fights with the clubs, semi real grass and imaginatively created holes. I was sold, five minutes later I was back swinging my club so to speak. I would throughly recommend it, doubly so if drunk.
My trip to Skegness wouldn't be complete without a visit here. Looks like a picture from a different place doesn't it? It's actually on the edge of Skegness in a southerly direction, it's called Gibraltar Point but feels a lot like Norfolk. indeed, get to the point and look roughly south and across the wash you will indeed see Norfolk fourteen miles away. You also pass some impressive houses on the way here too further signifying that Skegness is anything but tacky. So a delightful day in a very surprisingly litter free seaside town, admittedly I couldn't spend a week here but then again I don't have children so entertainment for a couple in their mid forties is a little limiting unless of course you have a crushing desire to pick up a dabber and bingo yourself to death.
That probably sounded wrong didn't it but make of it what you will.
No trip to the seaside would be complete without a bit of sea fare though. This repast advertised cockles, whelks, prawns and lobster tails, or in Skegness speak cockles from a jar, a crab stick that had only just whafted past anything fishy and a mock lobster tail made out of moulded crab stick, even the whelks tasted like rubber.
Oh, Skegness you little rascal you just can't stop it can you?
Thursday, May 10, 2012
Weight
Following on from the last post and the Knitted Growler here's the final stages of another Impossimal piece, 'One at a Time Please'. I think I have said before about this one, I pretty much made a bathroom scene out of anything I could find, that includes a plasticine sink and taps, bath tub, paper blinds and a dyed tissue to double as a miniature towel. I even made a cardboard skirting board and cladding to add a splash of colour in the background. Most importantly though was the tiled floor and their reflections, it's this that would allow a sense of depth. It's made very simply out of a printed grid covered in acetate.
The final photograph mad it look rather charming apart from the fact that my modelling skills had let me down on the roundness of the body a little. The bath being in shadow and the reflections looked great though so I set too and started it.
It's about this stage you realise that getting all that detail in no matter how small is going to take a while. The background was roughly painted in first to get a sense of proportion.
It was the glazing though that really helped this piece and give it it's depth. With careful experimentation I applied layer after layer of glazes starting with a pink on the left and moving through purple and eventually to blue on the right to get the drop off of light. The intensity of the black tiles increased the closer they got to the front and the reflections were added using a dry brush technique further adding depth. Not too bad, the whole piece took around two weeks with drying time.
The final photograph mad it look rather charming apart from the fact that my modelling skills had let me down on the roundness of the body a little. The bath being in shadow and the reflections looked great though so I set too and started it.
It's about this stage you realise that getting all that detail in no matter how small is going to take a while. The background was roughly painted in first to get a sense of proportion.
It was the glazing though that really helped this piece and give it it's depth. With careful experimentation I applied layer after layer of glazes starting with a pink on the left and moving through purple and eventually to blue on the right to get the drop off of light. The intensity of the black tiles increased the closer they got to the front and the reflections were added using a dry brush technique further adding depth. Not too bad, the whole piece took around two weeks with drying time.
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